Betsy’s Wedding Script

Directed by:Alan Alda
Year:1990

Plot:Offbeat fashion student Betsy Hopper and her straight-laced investment-banker fiancé, Dylan Walsh, just want an intimate little wedding reception, but Betsy's father, Eddie, a Long Island construction contractor, feels so threatened by Jake's rich WASP parents that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola, into a financial panic.
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Bad Influence Script

Script by:David Koepp (Writer)
Directed by:Curtis Hanson
Year:1990

Plot:Wimpy young executive, Michael is about to get pulverised by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in—and then disappears. Later that night, Michael runs into a stranger on a pier, who wheedles his way into Michael's life and turns it upside down.
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Avalon Script

Script by:Barry Levinson (Screenplay)
Directed by:Barry Levinson
Year:1990

Plot:Avalon is the third in Levinson's semi-autobiographical series of four "Baltimore Films": Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.
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Arachnophobia Script

Script by:Don Jakoby (Screenplay), Wesley Strick (Screenplay)
Directed by:Frank Marshall
Year:1990

Plot:A large spider from the jungles of South America is accidentally transported in a crate with a dead body to America where it mates with a local spider. Soon after, the residents of a small California town disappear as the result of spider bites from the deadly spider offspring. It's up to a couple of doctors with the help of an insect exterminator to annihilate these eight legged freaks.
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Another You Script

Script by:Ziggy Steinberg (Writer)
Directed by:Maurice Phillips
Year:1991

Plot:George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when people begin to recognise George as a missing millionaire, Eddie wants to take advantage of the situation.
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Another 48 Hrs Script

Script by:Roger Spottiswoode (Screenplay)
Directed by:Walter Hill
Year:1990

Plot:For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the "Ice Man". Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.
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The Adventures of Ford Fairlane Script

Script by:David Arnott (Screenplay), James Cappe (Screenplay), Rex Weiner (Characters), Daniel Waters (Screenplay)
Directed by:Renny Harlin
Year:1990

Plot:Ford "Mr. Rock n' Roll Detective" Fairlane is experiencing problems, and it's not with the opposite sex. One of them is that all the rock stars pay him with drum sticks, koala bears, food processors and bicycle shorts. Another one of them is that all his employers that want him to find a girl named Zuzu Petals get killed. Why didn't he become a fisherman's detective instead?
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Handmaid’s Tale Script

Script by:Margaret Atwood (Author), Harold Pinter (Screenplay)
Directed by:Volker Schlöndorff
Year:1990

Plot:In a dystopicly polluted rightwing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.
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Dick Tracy Script

Script by:Jim Cash (Screenplay), Jack Epps Jr. (Screenplay)
Directed by:Warren Beatty
Year:1990

Plot:The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
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Longtime Companion Script

Directed by:Norman René
Year:1990

Plot:Longtime Companion follows the lives of a small circle of friends from the first mention of the disease in the New York Times in 1981. First referred to as "Gay-Related-Immune-Disorder," we watch the effect of the disease as it devastates the lives of our protagonists. Jumping between Manhattan and Fire Island, vignettes carry us from the it-couldn't-happen-to-me mentality of the early days of the disease to the invasive effect it has had on all of our lives, today. The title of the film comes from the New York Times' refusal to acknowledge homosexual relationships in their obituary section during this period. Instead, survivors were referred to as "Longtime Companions" of the deceased
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