Naked Gun 2 1/2: The Smell Of Fear Script

Script by:David Zucker (Writer), Pat Proft (Writer)
Directed by:David Zucker
Year:1991

Plot:Bumbling cop Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business.
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Oscar Script

Script by:Michael Barrie (Screenplay)
Directed by:John Landis
Year:1991

Plot:Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise.
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Grand Canyon Script

Script by:Lawrence Kasdan (Writer)
Directed by:Lawrence Kasdan
Year:1991

Plot:Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from different races and classes brought together when one finds himself in jeopardy in the other's rough neighborhood.
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Young Guns 2 Script

Script by:John Fusco (Screenplay)
Directed by:Geoff Murphy
Year:1990

Plot:Three of the original five "young guns" — Billy the Kid (Emilio Estevez), Jose Chavez y Chavez (Lou Diamond Phillips), and Doc Scurlock (Kiefer Sutherland) — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
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The Witches Script

Script by:Allan Scott (Screenplay)
Directed by:Nicolas Roeg
Year:1990

Plot:A young boy named Luke and his grandmother go on vacation only to discover their hotel is hosting an international witch convention, where the Grand High Witch is unveiling her master plan to turn all children into mice. Will Luke fall victim to the witches' plot before he can stop them?
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Wild Orchid Script

Script by:Zalman King (Screenplay), Patricia Louisianna Knop (Screenplay)
Directed by:Zalman King
Year:1989

Plot:A woman lawyer becomes mesmerized by a self-made millionaire during an encounter in Rio setting off a series of erotic encounters.
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White Palace Script

Script by:Ted Tally (Screenplay), Alvin Sargent (Screenplay), Glenn Savan (Novel)
Directed by:Luis Mandoki
Year:1990

Plot:Max Baron is a Jewish advertising executive in his 20s who's still getting over the death of his wife. Nora Baker is a 40-something diner waitress who enjoys the wilder side of life. Mismatched or not, their attraction is instant and smoldering. With time, however, their class and age differences become an obstacle in their relationship, especially since Max can't keep Nora a secret from his Jewish friends and upper-crust associates forever.
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Vital Signs Script

Directed by:Marisa Silver
Year:1990

Plot:Jimmy Smits leads an all-star ensemble including Diane Lane, Adrian Pasdar, William Devane, Laura San Giacomo and Bradley Whitford in a film that's as fascinating and fast-paced as the medical profession it explores. Third year med school means too much work, too little respect, and striving to impress the chief of surgery (Smits). When Michael (Pasdar) falls in love in fellow student Gina (Lane), whose boyfriend is a resident, he risks his entire future. As the pressure mounts and the emergencies continue nonstop, Michael and Gina learn whether or not they have what it takes to save lives.
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Two Jakes Script

Script by:Robert Towne (Writer)
Directed by:Jack Nicholson
Year:1990

Plot:This sequel to the classic Chinatown finds private detective Jake Gittes still haunted from the events of the first film. Hired by a man to investigate his wife's infidelities, Jake once again finds himself involved in a complicated plot involving murder, oil, and even some ghosts from his past.
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Tune In Tomorrow Script

Directed by:Jon Amiel
Year:1990

Plot:Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin’s aunt Julia, not related by blood, returns home after many years away and Martin falls for her. Once Pedro finds out about this romance, he starts incorporating details of it into the script of his daily drama series. Soon, Martin and Julia are not only hearing about their fictional selves over the radio, but about what they are going to do next.
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